Thursday, 25 February 2016

Act 1 Scene 2 - Prospero and Ariel

Prospero and Ariel - Line 190 - 295




The relationship between them and the attitudes towards each other...




Mutual respect, complex, changing, intimate, close, physical




Ariel - Trying to please, delights/revels in mischief, respect for Prospero, fear, obligation, reluctant, eager to please, wants to make Prospero proud






Prospero - Condescending, tells off Ariel




Like a father son/daughter relationship




Address terms




Prospero initially calls Ariel nice things such as "My brave spirit!" "My spirit"
=> After Ariel asks for his freedom becomes "malignant thing"
=> Also "moody" "Chick"






Ariel initially calls Prospero "sir"
=> After he is told off becomes "master"






Key Quotes




"be't to fly, to swim, to dive into the fire, to ride on the curled clouds" - Shows enjoyment




"All hail great master, grave sir hail!"




"Not a blemish but greater than before." - Eager to please


"Thou Knowst what a torment I did find thee in." - Manipulation




Act 1 Scene 2 - Prospero and Miranda

Looking at the relationships between the characters...




Prospero and Miranda (line 1 - line 32)


Close, understanding, reassuring
Prospero -
Calm, reassuring, collected, imperatives used (soft commands), authority figure who knows everything


Dual role
  • Authoritative, powerful leader
  • Also a father
  • Taking off his cloak symbolises this change


Miranda -
Deferential, submissive, empathetic


"I have done nothing but in care of thee"


"Had I been any God of power" - Powerless


"Oh, I have suffered with those that I saw suffer."

Tuesday, 23 February 2016

Questions and answers

1. When was the play first performed?
- 1st November 1611 (16 hundreds, 17th century)
2. How is the theme of power introduced in the first scene?
- The courtiers are completely powerless on the ship
- No influence - reversed hierarchy
3. What props are used to symbolise Prospero's magical powers?
- Books, cape, staff
4. What is the purpose of Prospero explaining why they are there?
- Fill in audience on backstory and why he created the storm
- Miranda takes the place of the audience - we are as clueless as she is - Prospero fills us in
- We know about the past from what Prospero tells us
5. What is Ariel's attitude towards her tasks?
- At first reluctant
- After reminder he/she is willing and treads carefully
- Ariel is a sprite and genderless
- Ariel is mischievous and loves causing chaos - tricksy
6. How does Caliban mirror the indigenous population of a colonised land?
- Colonisation was happening a lot in the 17th century
- Caliban is angry at his loss - resents Prospero
- Worships Stephano
- Showed them everything and treated them kindly
7. What is Ariel's song about?
- First about dancing by the seashore
- Second part about Alonso's death and being drowned
- Ariel is convincing Ferdinand Alonso is dead
8. What does Gonzalo's Utopia involve?
- No power hierarchy
- Equality
- (Everyone wants power when they arrive on the island)
9.Why does Antonio want Sebastian to kill Alonso?
- Wants the power over Naples
10. What is the dramatic purpose of Stephano and Trinculo?
- Very low characters
- Comedy, humour, fun, entertainment
- Shakespeare trying to cater to a wide audience
11. How does Prospero punish Ferdinand?
- Makes him carry wood
- Prince is reduced to a slave
12. How does Caliban persuade Stephano help him overthrow Prospero?
- Talks about being able to have Miranda
- Miranda is nothing more than a reward - can be owned
13. At the Banquet in what form does Ariel appear to them?
- Harpy - Greek mythological creature
- Head and torso of a woman
- Bad omen - omen of vengeance
- Ariel takes power by fear
14. How is Miranda and Ferdinand's betrothal celebrated?
- Masque
- Performance by spirits - short play about fertility
15. What distracts Stephano and Trinculo
- Clothes 'finery' but Caliban calls it 'trumpery' - fake, rubbish
- Stephano and Trinculo taken in by it
16. "We are such stuff that dreams are made of"
- We think that we are in control and important
17. What does Prospero give up in Act 5 Scene 1?
- Magical powers - destroys magical objects
- Desire for revenge
- No vengeance - looks for forgiveness
18. What are Ferdinand and Ariel doing when they are seen in Act 5 Scene 1?
- Playing chess
- Power battle - all about toppling the king
- About gaining and losing power
19. Which character has the most ambiguous ending?
- Shakespeare often leaves one character
- Caliban doesn't get an ending
20. What is interesting about the epilogue?
- Prospero talking to the audience - asking audience to applaud
- Audience has the power to set Prospero free
- Recognition of the fictional nature of the play

Stand out quotes

"How beauteous mankind is! O brave new world that has such people in't!"
Miranda - Act 5 Scene 1 (page 137)


"Oh, she is ten times more gentle than her father's crabbed"
Ferdinand - Act 3 Scene 1


"Hell is empty, and all the devils are here"
Ariel - Act 1 Scene 2 (pg 21)


"You taught me language and my profit on't is I know how to curse."
Caliban - Act 1 Scene 2

Ferdinand and Miranda

  • Love at first sight - dramatic convenience
  • Not enough time for relationship to slowly develop

Power in the Tempest

Prospero
  • Power over Miranda, Ariel and Caliban
  • Caliban equal till rape?
  • Ariel has power over events but always under Prospero's Command
Caliban tries to exert power over Miranda
Stephano over Caliban


Tuesday, 16 February 2016

Act 1, Scene 1 - the transcience of power

The atmosphere is...
Chaotic, manic hectic, loud, energetic, action-packed, panicked, overwhelming


Grabs the audience's attention - hard to stage


 Who is in charge?
The sailors shout orders at the king/courtiers
The power hierarchy completely flips
The transience of power - it can all change in a moment
The king is powerless in the first seen - all he can do is pray